A guy asked me to draw a cover for his fantasy book, so I told him the payment would be of fifty euros. 
I don’t think he’ll ever show up again. 

I need help!

vegankaiju:

I am an aspiring comic artist and, due to ethical reasons, I’m trying to find a good synthetic inking brush.
My teacher recommended me the Mensou Maxon, but it seems to be made of sable, sheep and horse hair, elaborated in a sintetic way (and I really don’t know what this means).
Can someone help me?

I’m fucking mad that i can’t find a good cruelty-free brush, so i’ll try to post this again.  

mercuryphoenix:

You don’t understand how important this moment was to me. Kieren is eighteen years old, he suffers from severe anxiety and depression, he’s being accused of something he didn’t do, and, as a result, he lashes out. This reaction is completely understandable. And yet, because he is a PDS sufferer, they take the innate humanness of the outburst and twist it to make him seem inhuman. This is what happens when you are part of an oppressed group. They push you, and push you, and you keep your head down, and nothing changes - and when eventually you snap, act out in anger and frustration because you can’t take it any more, they take that reaction and turn it around to justify their oppression. This is the moment when Kieren realises he cannot win. Whatever he does, he will always be a monster. 
mercuryphoenix:

You don’t understand how important this moment was to me. Kieren is eighteen years old, he suffers from severe anxiety and depression, he’s being accused of something he didn’t do, and, as a result, he lashes out. This reaction is completely understandable. And yet, because he is a PDS sufferer, they take the innate humanness of the outburst and twist it to make him seem inhuman. This is what happens when you are part of an oppressed group. They push you, and push you, and you keep your head down, and nothing changes - and when eventually you snap, act out in anger and frustration because you can’t take it any more, they take that reaction and turn it around to justify their oppression. This is the moment when Kieren realises he cannot win. Whatever he does, he will always be a monster. 
mercuryphoenix:

You don’t understand how important this moment was to me. Kieren is eighteen years old, he suffers from severe anxiety and depression, he’s being accused of something he didn’t do, and, as a result, he lashes out. This reaction is completely understandable. And yet, because he is a PDS sufferer, they take the innate humanness of the outburst and twist it to make him seem inhuman. This is what happens when you are part of an oppressed group. They push you, and push you, and you keep your head down, and nothing changes - and when eventually you snap, act out in anger and frustration because you can’t take it any more, they take that reaction and turn it around to justify their oppression. This is the moment when Kieren realises he cannot win. Whatever he does, he will always be a monster. 
mercuryphoenix:

You don’t understand how important this moment was to me. Kieren is eighteen years old, he suffers from severe anxiety and depression, he’s being accused of something he didn’t do, and, as a result, he lashes out. This reaction is completely understandable. And yet, because he is a PDS sufferer, they take the innate humanness of the outburst and twist it to make him seem inhuman. This is what happens when you are part of an oppressed group. They push you, and push you, and you keep your head down, and nothing changes - and when eventually you snap, act out in anger and frustration because you can’t take it any more, they take that reaction and turn it around to justify their oppression. This is the moment when Kieren realises he cannot win. Whatever he does, he will always be a monster. 

mercuryphoenix:

You don’t understand how important this moment was to me. Kieren is eighteen years old, he suffers from severe anxiety and depression, he’s being accused of something he didn’t do, and, as a result, he lashes out. This reaction is completely understandable. And yet, because he is a PDS sufferer, they take the innate humanness of the outburst and twist it to make him seem inhuman. This is what happens when you are part of an oppressed groupThey push you, and push you, and you keep your head down, and nothing changes - and when eventually you snap, act out in anger and frustration because you can’t take it any more, they take that reaction and turn it around to justify their oppression. This is the moment when Kieren realises he cannot win. Whatever he does, he will always be a monster. 

(via in-the-fleshdom)

I need help!

I am an aspiring comic artist and, due to ethical reasons, I’m trying to find a good synthetic brush which can be used for inking purposes.
My teacher recommended me the Mensou Maxon, but it seems to be made of sable, sheep and horse hair, elaborated in a sintetic way (and I really don’t know what this means).
Can someone help me?

marylily2:

theinterruptor:

revolucionvegana:

weirdbardthesojourner:

princess-passion-flower:

anonymous-vegan:

This is what hell sounds like.

meat eaters should listen to this.

What hell is there for us to be afraid of? We’ve constructed functioning ones by the hundreds for our fellow Earthlings to suffer. 

This is terrifying.

Few things make me cry, but this… I can’t even put into words what listening to this does to me.

I haven’t cried like this in a really long time. I literally had to hold back vomiting. I’ll never ever ever get that out of my head. This is what nightmares are made of. 

(via sunshineandsoil-deactivated2014)

i’d like not to have a fucking heart attack everytime i talk with some fucking speciesist. i’d like to see my hands perfectly stable and not fucking trembling. I’d like not to feel my heart pumping like a hammer in my chest, my lungs not to run out of air everytime i fucking talk with fucking assholes

i’m gonna faint, sooner or later
i’m gonna faint, fuck


Favorite Opening Credits: Orange Is The New Black
"All those eyes and mouths that make up the "Orange Is The New Black" opening credits are from real women, not actors.
Set to Regina Spektor’s “You’ve Got Time,” the credits are a montage of smiles, frowns, glares and stares of formerly incarcerated women, and other prison mainstays like barbed wire, fingerprinting, handcuffs and more.
The credits were designed, at the request of creator Jenji Kohan, to get the point across that the show wasn’t just going to be telling the story of Piper Chapman.” (x)

Favorite Opening Credits: Orange Is The New Black
"All those eyes and mouths that make up the "Orange Is The New Black" opening credits are from real women, not actors.
Set to Regina Spektor’s “You’ve Got Time,” the credits are a montage of smiles, frowns, glares and stares of formerly incarcerated women, and other prison mainstays like barbed wire, fingerprinting, handcuffs and more.
The credits were designed, at the request of creator Jenji Kohan, to get the point across that the show wasn’t just going to be telling the story of Piper Chapman.” (x)

Favorite Opening Credits: Orange Is The New Black
"All those eyes and mouths that make up the "Orange Is The New Black" opening credits are from real women, not actors.
Set to Regina Spektor’s “You’ve Got Time,” the credits are a montage of smiles, frowns, glares and stares of formerly incarcerated women, and other prison mainstays like barbed wire, fingerprinting, handcuffs and more.
The credits were designed, at the request of creator Jenji Kohan, to get the point across that the show wasn’t just going to be telling the story of Piper Chapman.” (x)

Favorite Opening Credits: Orange Is The New Black
"All those eyes and mouths that make up the "Orange Is The New Black" opening credits are from real women, not actors.
Set to Regina Spektor’s “You’ve Got Time,” the credits are a montage of smiles, frowns, glares and stares of formerly incarcerated women, and other prison mainstays like barbed wire, fingerprinting, handcuffs and more.
The credits were designed, at the request of creator Jenji Kohan, to get the point across that the show wasn’t just going to be telling the story of Piper Chapman.” (x)

Favorite Opening Credits: Orange Is The New Black
"All those eyes and mouths that make up the "Orange Is The New Black" opening credits are from real women, not actors.
Set to Regina Spektor’s “You’ve Got Time,” the credits are a montage of smiles, frowns, glares and stares of formerly incarcerated women, and other prison mainstays like barbed wire, fingerprinting, handcuffs and more.
The credits were designed, at the request of creator Jenji Kohan, to get the point across that the show wasn’t just going to be telling the story of Piper Chapman.” (x)

Favorite Opening Credits: Orange Is The New Black
"All those eyes and mouths that make up the "Orange Is The New Black" opening credits are from real women, not actors.
Set to Regina Spektor’s “You’ve Got Time,” the credits are a montage of smiles, frowns, glares and stares of formerly incarcerated women, and other prison mainstays like barbed wire, fingerprinting, handcuffs and more.
The credits were designed, at the request of creator Jenji Kohan, to get the point across that the show wasn’t just going to be telling the story of Piper Chapman.” (x)

Favorite Opening Credits: Orange Is The New Black
"All those eyes and mouths that make up the "Orange Is The New Black" opening credits are from real women, not actors.
Set to Regina Spektor’s “You’ve Got Time,” the credits are a montage of smiles, frowns, glares and stares of formerly incarcerated women, and other prison mainstays like barbed wire, fingerprinting, handcuffs and more.
The credits were designed, at the request of creator Jenji Kohan, to get the point across that the show wasn’t just going to be telling the story of Piper Chapman.” (x)

Favorite Opening Credits: Orange Is The New Black
"All those eyes and mouths that make up the "Orange Is The New Black" opening credits are from real women, not actors.
Set to Regina Spektor’s “You’ve Got Time,” the credits are a montage of smiles, frowns, glares and stares of formerly incarcerated women, and other prison mainstays like barbed wire, fingerprinting, handcuffs and more.
The credits were designed, at the request of creator Jenji Kohan, to get the point across that the show wasn’t just going to be telling the story of Piper Chapman.” (x)

Favorite Opening Credits: Orange Is The New Black
"All those eyes and mouths that make up the "Orange Is The New Black" opening credits are from real women, not actors.
Set to Regina Spektor’s “You’ve Got Time,” the credits are a montage of smiles, frowns, glares and stares of formerly incarcerated women, and other prison mainstays like barbed wire, fingerprinting, handcuffs and more.
The credits were designed, at the request of creator Jenji Kohan, to get the point across that the show wasn’t just going to be telling the story of Piper Chapman.” (x)

Favorite Opening Credits: Orange Is The New Black
"All those eyes and mouths that make up the "Orange Is The New Black" opening credits are from real women, not actors.
Set to Regina Spektor’s “You’ve Got Time,” the credits are a montage of smiles, frowns, glares and stares of formerly incarcerated women, and other prison mainstays like barbed wire, fingerprinting, handcuffs and more.
The credits were designed, at the request of creator Jenji Kohan, to get the point across that the show wasn’t just going to be telling the story of Piper Chapman.” (x)

Favorite Opening Credits: Orange Is The New Black

"All those eyes and mouths that make up the "Orange Is The New Black" opening credits are from real women, not actors.

Set to Regina Spektor’s “You’ve Got Time,” the credits are a montage of smiles, frowns, glares and stares of formerly incarcerated women, and other prison mainstays like barbed wire, fingerprinting, handcuffs and more.

The credits were designed, at the request of creator Jenji Kohan, to get the point across that the show wasn’t just going to be telling the story of Piper Chapman.” (x)

(via leisurelee)

fer1972:

Nature and Noise: Photography by Anna Marinenko
fer1972:

Nature and Noise: Photography by Anna Marinenko
fer1972:

Nature and Noise: Photography by Anna Marinenko
fer1972:

Nature and Noise: Photography by Anna Marinenko
fer1972:

Nature and Noise: Photography by Anna Marinenko
fer1972:

Nature and Noise: Photography by Anna Marinenko

fer1972:

Nature and Noise: Photography by Anna Marinenko

(via aloneveganreed)

thatwetshirt:

Surreal, Overwhelming Photos of Chinese “Megacities”
thatwetshirt:

Surreal, Overwhelming Photos of Chinese “Megacities”
thatwetshirt:

Surreal, Overwhelming Photos of Chinese “Megacities”
thatwetshirt:

Surreal, Overwhelming Photos of Chinese “Megacities”
thatwetshirt:

Surreal, Overwhelming Photos of Chinese “Megacities”
thatwetshirt:

Surreal, Overwhelming Photos of Chinese “Megacities”